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	<title>SINE CABOLOAN</title>
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	<description>The independent cinema of the Pangasinan province, Philippines</description>
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		<title>SINE CABOLOAN</title>
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		<title>Luzon Films in Cinema Rehiyon 2012 by Teddy Co, from www.cinemarehiyon.com</title>
		<link>http://sinecaboloan.wordpress.com/2012/02/13/luzon-films-in-cinema-rehiyon-2012-by-teddy-co-from-www-cinemarehiyon-com/</link>
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		<pubDate>Mon, 13 Feb 2012 12:57:23 +0000</pubDate>
		<dc:creator>Sine Caboloan</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://sinecaboloan.wordpress.com/?p=484</guid>
		<description><![CDATA[Luzon Films in Cinema Rehiyon 2012 by Teddy Co, curator for Luzon Films, published in www.cinemarehiyon.com January 27, 2012 The Luzon programme of Cinema Rehiyon 4 will be highlighted by the presence of three stalwarts of indie filmmaking – Auraeus Solito, Mes de Guzman, and Alvin Yapan. Solito’s BUSONG (Pal’awan Fate was shown at the [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=sinecaboloan.wordpress.com&amp;blog=10215036&amp;post=484&amp;subd=sinecaboloan&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>Indie Movies: More Fun in the Philippines by Nel Costales, published in 1505 Film Avenue</title>
		<link>http://sinecaboloan.wordpress.com/2012/01/31/indie-movies-more-fun-in-the-philippines-by-nel-costales-published-in-1505-film-avenue/</link>
		<comments>http://sinecaboloan.wordpress.com/2012/01/31/indie-movies-more-fun-in-the-philippines-by-nel-costales-published-in-1505-film-avenue/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 11:20:36 +0000</pubDate>
		<dc:creator>Sine Caboloan</dc:creator>
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		<guid isPermaLink="false">http://sinecaboloan.wordpress.com/?p=481</guid>
		<description><![CDATA[Indie Movies: More Fun in the Philippines by Nel Costales, published in 1505 Film Avenue www.sinepatrol.blogspot.com on January 10, 2012. Not only are indie movies more fun than mainstream ones, they are by far better and more colorful. My list of notable films of 2011 is made up mostly of independent film productions. And, they [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=sinecaboloan.wordpress.com&amp;blog=10215036&amp;post=481&amp;subd=sinecaboloan&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>Kawts Kamote Year-Ender 2011 by Epoy Deyto, published at Kawts Kamote on December 30, 2011</title>
		<link>http://sinecaboloan.wordpress.com/2012/01/29/kawts-kamote-year-ender-2011-by-epoy-deyto-published-at-kawts-kamote-on-december-30-2011/</link>
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		<pubDate>Sun, 29 Jan 2012 17:46:00 +0000</pubDate>
		<dc:creator>Sine Caboloan</dc:creator>
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		<guid isPermaLink="false">http://sinecaboloan.wordpress.com/?p=478</guid>
		<description><![CDATA[Kawts Kamote Year-Ender 2011 by Epoy Deyto, published at Kawts Kamote on December 30, 2011 Kawts Kamote Year-ender 2011 Kamusta! Andito na tayo sa panahong maraming gumagawa ng listahan. Syempre, trip ko rin naman maglista, lalo kapag naaalala ko ang mga magagandang ala-ala sa mga nabanggit ko sa listahan. Hindi ko alam kung papaano pumili [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=sinecaboloan.wordpress.com&amp;blog=10215036&amp;post=478&amp;subd=sinecaboloan&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>Bacolod hosts NCCA&#8217;s &#8220;CinemaRehiyon&#8221; by Lester Babiera published in the Philippine Daily Inquirer</title>
		<link>http://sinecaboloan.wordpress.com/2012/01/29/bacolod-hosts-nccas-cinemarehiyon-by-lester-babiera-published-in-the-philippine-daily-inquirer/</link>
		<comments>http://sinecaboloan.wordpress.com/2012/01/29/bacolod-hosts-nccas-cinemarehiyon-by-lester-babiera-published-in-the-philippine-daily-inquirer/#comments</comments>
		<pubDate>Sun, 29 Jan 2012 17:06:43 +0000</pubDate>
		<dc:creator>Sine Caboloan</dc:creator>
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		<guid isPermaLink="false">http://sinecaboloan.wordpress.com/?p=473</guid>
		<description><![CDATA[Bacolod hosts NCCA&#8217;s &#8220;CinemaRehiyon&#8221; by Lester Babiera published in the Philippine Daily Inquirer, January 16, 2012 Filmmaking around the country is definitely alive and well as the fourth installment of CinemaRehiyon, a noncompetition film festival by the National Commission on Culture and the Arts (NCCA), will prove when it’s held in Bacolod City, Negros Occidental, [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=sinecaboloan.wordpress.com&amp;blog=10215036&amp;post=473&amp;subd=sinecaboloan&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>The Year In Film 2011 by Philbert Ortiz Dy from ClickTheCity.com</title>
		<link>http://sinecaboloan.wordpress.com/2012/01/21/the-year-in-film-2011-by-philbert-ortiz-dy-from-clickthecity-com/</link>
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		<pubDate>Sat, 21 Jan 2012 16:19:52 +0000</pubDate>
		<dc:creator>Sine Caboloan</dc:creator>
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		<guid isPermaLink="false">http://sinecaboloan.wordpress.com/?p=471</guid>
		<description><![CDATA[The Year In Film 2011 by Philbert Ortiz Dy posted on Friday, January 20, 2012 in Movies at ClickTheCity.com Looking back, 2011 was defined by a strong crop of arthouse films. There was no Inception in 2011, no wildly ambitious blockbuster to make the case for the mainstream. As commercial filmmaking stagnated under the weight [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=sinecaboloan.wordpress.com&amp;blog=10215036&amp;post=471&amp;subd=sinecaboloan&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>“LAWAS KAN PINABLI” – 1st Film on OFW by an OFW by Max Bringula</title>
		<link>http://sinecaboloan.wordpress.com/2012/01/14/lawas-kan-pinabli-1st-film-on-ofw-by-an-ofw-by-max-bringula/</link>
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		<pubDate>Sat, 14 Jan 2012 10:36:51 +0000</pubDate>
		<dc:creator>Sine Caboloan</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://sinecaboloan.wordpress.com/?p=467</guid>
		<description><![CDATA[“LAWAS KAN PINABLI” – 1st Film on OFW by an OFW by Max Bringula published in Abante Middle East edition (January 12, 2012) Sa kauna-unahang pagkakataon, isang makabuluhan at makatotohanang pelikula patungkol sa buhay ng mga OFW (Overseas Filipino Workers) na nagtratrabaho sa Middle East, particularly sa Saudi Arabia ang ginawa’t natapos at ipinalabas kamakailan [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=sinecaboloan.wordpress.com&amp;blog=10215036&amp;post=467&amp;subd=sinecaboloan&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>The Top Filipino Films of 2011 from Closely Watched Frames by Noli Manaig</title>
		<link>http://sinecaboloan.wordpress.com/2012/01/07/the-top-filipino-films-of-2011-from-closely-watched-frames-by-noli-manaig/</link>
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		<pubDate>Sat, 07 Jan 2012 06:12:45 +0000</pubDate>
		<dc:creator>Sine Caboloan</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://sinecaboloan.wordpress.com/?p=464</guid>
		<description><![CDATA[The Top Filipino Films of 2011 from Closely Watched Frames by Noli Manaig (January 6, 2012) Riches, an embarrassment of riches. It is a year liable to go down in local cinematic history as one of the most accomplished, one of the richest. The year 2011 will also likely serve a benchmark against which other [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=sinecaboloan.wordpress.com&amp;blog=10215036&amp;post=464&amp;subd=sinecaboloan&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>Celiar Structures: A break Space for isolationist soundworlds by Ran Kirlian</title>
		<link>http://sinecaboloan.wordpress.com/2012/01/03/celiar-structures-a-break-space-for-isolationist-soundworlds-by-ran-kirlian/</link>
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		<pubDate>Tue, 03 Jan 2012 17:58:17 +0000</pubDate>
		<dc:creator>Sine Caboloan</dc:creator>
				<category><![CDATA[News]]></category>

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		<description><![CDATA[Anacbanua (The Child of the Sun)  Anacbanua (The Child of the Sun) es un largometraje filipino de corte independiente dirigido porChristopher Q. Gozum que pretende reivindicar y promocionar la lengua indígena Pangasinan, actualmente en vías de extinción, mediante la narración de poemas recitados en dicha lengua a lo largo de la historia. Además incluye música mía en la [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=sinecaboloan.wordpress.com&amp;blog=10215036&amp;post=461&amp;subd=sinecaboloan&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>Film Review of Lawas Kan Pinabli by Don Jaucian from Pelikula Tumblr (2012)</title>
		<link>http://sinecaboloan.wordpress.com/2012/01/02/film-review-of-lawas-kan-pinabli-by-don-jaucian-from-pelikula-tumblr-2012/</link>
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		<pubDate>Mon, 02 Jan 2012 20:41:47 +0000</pubDate>
		<dc:creator>Sine Caboloan</dc:creator>
				<category><![CDATA[Film Reviews]]></category>

		<guid isPermaLink="false">http://sinecaboloan.wordpress.com/?p=430</guid>
		<description><![CDATA[2011: The Year in Filipino Films by Don Jaucian It’s a proclamation that heralds a new hope for the Philippine film industry: 2011 has been a pretty good year for Filipino films. Whether it’s the triumph of films like Zombadings 1: Patayin sa Shokot si Remington over mindlessly offensive big studio productions, the success of [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=sinecaboloan.wordpress.com&amp;blog=10215036&amp;post=430&amp;subd=sinecaboloan&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>Film Review of Lawas Kan Pinabli by Noli Manaig from Closely Watched Frames (2011)</title>
		<link>http://sinecaboloan.wordpress.com/2012/01/02/417/</link>
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		<pubDate>Mon, 02 Jan 2012 20:02:16 +0000</pubDate>
		<dc:creator>Sine Caboloan</dc:creator>
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		<guid isPermaLink="false">http://sinecaboloan.wordpress.com/?p=417</guid>
		<description><![CDATA[FOREVER LOVED (Lawas Kan Pinabli, Christopher Gozum, 2011). A film review by Noli Manaig published at Closely Watched Frames (2011).

Writ large is the heroic struggle of the Filipino diaspora in movies about the overseas contract worker. When the dramatization of marytyrdom is even remotely justified, expect multiple versions out of it: Bagong Bayani and The Flor Contemplacion Story, for instance. Such films tend to perpetuate myths, mostly favorable, about our so-called unsung heroes. This is not, nor should it be, the whole story. Christopher Gozum’s experimental documentary, Forever Loved, forwards a corrective to all the attractive portraits in film or in other media. Or at least, Gozum's point is to paint a more humanized picture.

Few sources can be as reliable and comprehensive as Gozum concerning this. Himself an overseas contract worker of long-standing, he shot three years worth of footage in Saudi Arabia – its deserts, moors, cities and its Filipino expatriate community – without intention to turn it into a film. The material eventually took shape and the result is Forever Loved, a work with a fresh perspective, with a sometimes polemic and often long, discursive content.     

Running 3 hours and 20 minutes, Forever Loved can be regarded as a documentary first, and a fictional/experimental film, second. The documentary footages are real-life interviews with Filipino overseas workers whose stories are both new and familiar. There is the near-rape victim, the unpaid worker, the fall guy, all reinforcing the notion of a tricky, knotty life abroad, but there are also stories from the flipside such as that of the fossil/rock collector, who seems to have found a fulfilling life in his adopted country.  

The most telling segments of Forever Loved, however, lead it to credible authorities with articulate insight into the overseas worker. A Filipino journalist of long-tenure in Saudi Arabia explains how our history of colonial subservience makes us vulnerable to the abuse of foreigners. The creator of patnubay.com, a website that documents the Filipino experience abroad, reports a contrasting quality that is supposed to land the Filipino in trouble: his intrinsic stubbornness, a trait we have never thought exportable. Such contradictory insights hint at the complicated, checkered nature of the Filipino.                

These documentary passages are framed by a fictional story about a newcomer in Saudi Arabia. He has traveled not just to take a job but to search for his wife who has gone missing for three years in that Middle Eastern country. His story takes its shape from the myth of Odyssey as well as the biblical Moses. Like Odysseus, he undertakes a far-ranging journey in the hopes of reaching his wife. Like Odysseus, he even finds a kind of Calypso in the desert. But he is also a kind of Moses, the film’s own analogy, who sadly discovers the debauchery of the exodus, that is, the crimes of the Filipino diaspora.

For every alleged case of victimization that befalls a Filipino, Gozum finds a contradictory voice, a credible statistic, to balance our vision. The facts paint the reverse of the martyr: a not-so-passive, not-so-innocent Filipino. His crimes, largely unreported or distorted when they reach our shores, abound such as drug-trafficking, gambling, and practices deemed illegal in host nations. Those who are in flight, the so-called runaway workers who often want to be repatriated, have a lot to run away for. 

Forever Loved can be viewed, in simplistic terms, as two movies rolled into one. It is possible to untwine the documentary aspect from the fictive section. Each one, alone, could probably hold up to scrutiny. Together, they work in a kind of uneasy synergy that creates an eye-opening and wildly experimental film. That’s because naturalistic documentary does not traditionally mix with formal experiment. Admittedly Forever Loved is more cinematically inclusive – and therefore less disciplined – than the purely experimental Anacbanua. 

It may, however, also be a simple question of unfamiliarity. Midway through this sprawling opus, the film’s interweaving of documentary and fiction assumes a rhythm we slide into, and the fresh perspective it affords about the Filipino overseas worker is wholly absorbing even if unflattering. The experience is greatly enhanced by the film's fictional/experimental portion that shares similarities with the avant-garde work of Philippe Garrel. Indelible are the fierce and binding rhythms of Pangasinan language, mostly the poetry of the poet-protagonist, and Ran Kirlian’s futuristic synths on the soundtrack.   
  
Forever Loved, in the end, may well be the most thorough, most textured, and most insightful study on the Filipino OCW. Perhaps such a saga of a people's exodus is bound to unfold in many more unforeseen ways and will never see an immediate end. Gozum deserves to be commended for going against the grain, forwarding a perspective the rest of us aren't prepared to entertain. He never loses sight of the human picture, the stories he has heard or knows first-hand. These stories, whether grounded on the real or the invented, must resonate with him, cut him to the quick, a heart that harbors the traumas of being so far from home.  <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=sinecaboloan.wordpress.com&amp;blog=10215036&amp;post=417&amp;subd=sinecaboloan&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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